This week's class spent a lot of time
discussing Wreckage of Reason. I
enjoyed reading these especially because they are all unique in
content. “Cottage Life” by Masha Tupitsyn was one of my favorites
because it uses a great amount of detail and imagery. She says on
page 168, “Accusation of old love, which I weigh by my side, tips
in from his corner like flour. I can bake love like pies. All of
them.” I like how she related 'love' to baking. This stuck out to
me because she avoided the cliché descriptions of love and made it
into her own. I also enjoyed reading this because it has a 'poetic'
style to it. The words seem to flow nicely with each other. On page
169, for example, Tupitsyn says “Me on the bed's tip, showing
myself seriously, listening to him tell me about my beauty, because
beauty is story, and it's told. Even, I have to say it, mine.
Fabrication, through intimate partnership, is fine as long as you
keep it home”. I thought this sounded very flowy and poetic, making
it one of my favorite passages in the story.
I
really enjoyed reading the pages of Bird by Bird,
as well. I thought Anne Lamott gave me helpful writing advice with a
humorous and friendly twist. One of the most interesting sections in
the reading was on page 57. Lamott is talking about the plot of a
story and used a quote by John Gardner. He said, “writing is
creating a dream into which he or she invites the reader, and that
the dream must be vivid and continuous”. I love this quote because
it has so much truth to it. It really is an important aspect to
writing a plot because you need to keep the reader going. You want
the reader to be dying to know what happens next.
Also
on page 57, Lamott writes about having someone else read your work. I
thought this was extremely helpful advice because I have such a hard
time letting anyone read my work. Whenever I start writing something,
I try to keep it to myself until it is complete. I never let anyone
read what I'm doing partially because I am embarrassed. Lamott
discussed that it is important to have someone else read your work to
let you know if “the seams show, or if you've lurched off track, or
even that it is not as bad as you thought and that the first one
hundred pages do in fact hold up”. This is so helpful because I
need to realize that its good to have help, this will be a great
thing in making sure my plot makes sense, or everything is in the
right order. Outside opinions were great, also, because they do not
know every single detail, like you do. They did not spend the time
thinking about every detail, and that is helpful because they can
tell you provided enough detail. She says, “so find someone who can
bring a colder eyed and a certain detachment to the project'. This
section in the “Plot” chapter was probably the most helpful so
far.
The
final part of Bird by Bird
that I really enjoyed was on page 66 in the “Dialogue” chapter.
Lamott was listing the elements of Dialogue and she stated that it
would be interesting to write about two completely opposite
characters. Lamott said that by placing two different people in a
room together, that would make for an interesting story. That would
make the story and dialogue more dramatic and could have a better
climax or situation. She even says on page 67, “thus, good dialogue
encompasses both what is said and what is not said”. I love her
advice mainly because she helps me think of things that I normally
wouldn't notice. She thinks outside the box and takes many risks. I
love this book because of her quirky approach to the teaching of
writing.
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